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The Tea Party - In This Time

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 # 

 #----------------------------------PLEASE&nbsp;NOTE---------------------------------#<br/>
 

 ##This&nbsp;file&nbsp;is&nbsp;the&nbsp;author's&nbsp;own&nbsp;work&nbsp;and&nbsp;represents&nbsp;their&nbsp;interpretation&nbsp;of&nbsp;the&nbsp;#<br/>
 ##song.&nbsp;You&nbsp;may&nbsp;only&nbsp;use&nbsp;this&nbsp;file&nbsp;for&nbsp;private&nbsp;study,&nbsp;scholarship,&nbsp;or&nbsp;research.&nbsp;#<br/>
 # 

 #------------------------------------------------------------------------------##<br/>
 

 ##<br/>
 #<br/>
 #Date:&nbsp;Thu,&nbsp;23&nbsp;May&nbsp;1996&nbsp;05:17:19&nbsp;-0600&nbsp;(MDT)<br/>
 #From:&nbsp;Chris&nbsp;Anderson&nbsp;<br/>
 #<br/>
 #<br/>
 #**********************************<br/>
 #*&nbsp;The&nbsp;Tea&nbsp;Party&nbsp;~&nbsp;In&nbsp;This&nbsp;Time&nbsp;&nbsp;&nbsp;*<br/>
 #*&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;from&nbsp;Splendor&nbsp;Solis&nbsp;*<br/>
 #**********************************<br/>
 #<br/>
 #Well,&nbsp;the&nbsp;tea&nbsp;party&nbsp;selection&nbsp;on&nbsp;olga&nbsp;is&nbsp;rather&nbsp;lacking,&nbsp;so&nbsp;having&nbsp;sorted&nbsp;<br/>
 #out&nbsp;most&nbsp;of&nbsp;this&nbsp;song&nbsp;(minus&nbsp;some&nbsp;fill&nbsp;and&nbsp;the&nbsp;other&nbsp;instrument)&nbsp;I&nbsp;suppose&nbsp;it&nbsp;<br/>
 #would&nbsp;be&nbsp;criminal&nbsp;not&nbsp;to&nbsp;tab&nbsp;and&nbsp;post&nbsp;it.&nbsp;&nbsp;This&nbsp;is&nbsp;my&nbsp;first&nbsp;attempt&nbsp;at&nbsp;<br/>
 #creating&nbsp;a&nbsp;tab,&nbsp;so&nbsp;if&nbsp;things&nbsp;start&nbsp;getting&nbsp;confusing&nbsp;or&nbsp;just&nbsp;plain&nbsp;wrong,<br/>
 #you&nbsp;know&nbsp;why.&nbsp;&nbsp;Neglecting&nbsp;any&nbsp;(probable)&nbsp;mistakes&nbsp;I&nbsp;may&nbsp;make&nbsp;in&nbsp;the&nbsp;<br/>
 #process,&nbsp;I&nbsp;think&nbsp;this&nbsp;should&nbsp;be&nbsp;quite&nbsp;close&nbsp;to&nbsp;the&nbsp;album,&nbsp;but&nbsp;if&nbsp;I&nbsp;<br/>
 #prove&nbsp;to&nbsp;be&nbsp;wrong&nbsp;please&nbsp;post&nbsp;your&nbsp;corrections&nbsp;and/or&nbsp;send&nbsp;them&nbsp;to&nbsp;me.<br/>
 #<br/>
 #The&nbsp;song&nbsp;(I&nbsp;believe)&nbsp;is&nbsp;in&nbsp;the&nbsp;key&nbsp;of&nbsp;D&nbsp;major.<br/>
 #<br/>
 #Tuning:&nbsp;A9&nbsp;(Spelled&nbsp;A&nbsp;C#&nbsp;E&nbsp;Gb&nbsp;B;&nbsp;IV9&nbsp;in&nbsp;DM)<br/>
 #<br/>
                               e                     Gb                           
 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;up&nbsp;to&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br/>
                               B                     C#   
 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;up&nbsp;to&nbsp;<br/>
                               G                     A    
 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;up&nbsp;to&nbsp;<br/>
                               D                     E    
 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;up&nbsp;to&nbsp;<br/>
                               A                     B    
 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;up&nbsp;to&nbsp;<br/>
                               E                     A    
 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;up&nbsp;to&nbsp;<br/>
 <br/>
 <br/>
 Note:<br/>
 &nbsp;&nbsp;&nbsp;It&nbsp;is&nbsp;generally&nbsp;good&nbsp;to&nbsp;let&nbsp;the&nbsp;notes&nbsp;<br/>
 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;ring&nbsp;as&nbsp;much&nbsp;as&nbsp;possible&nbsp;during&nbsp;<br/>
 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;all&nbsp;parts&nbsp;of&nbsp;the&nbsp;song.<br/>
 &nbsp;&nbsp;&nbsp;&nbsp;<br/>
 &nbsp;&nbsp;&nbsp;h Hammer<br/>
 &nbsp;&nbsp;&nbsp;p&nbsp;&nbsp;&nbsp;&nbsp;Pull&nbsp;off<br/>
 <br/>
 &nbsp;&nbsp;&nbsp;H7&nbsp;<br/>
 &nbsp;&nbsp;-x-&nbsp;&nbsp;&nbsp;Harmonic,&nbsp;7th&nbsp;fret<br/>
 <br/>
 ************************************************************&nbsp;&nbsp;&nbsp;&nbsp;<br/>
 <br/>
 Intro:<br/>

 ------<br/>
 

 <br/>
 Part&nbsp;A:&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;H7&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br/>

 Gb|---------------7-----------------7--|<br/>
 C#|---------7---------------x----------|<br/>
 &nbsp;A|------------------------------------|<br/>
 &nbsp;E|-----7-------7-------7-------7------|<br/>
 &nbsp;B|-------5-------5-------5-------5----|<br/>
 &nbsp;A|---0-------0-------0-------0--------|<br/>
 

 <br/>
 Part&nbsp;B:<br/>

 Gb|--------------------|<br/>
 C#|---------7-------0--|<br/>
 &nbsp;A|--------------------|<br/>
 &nbsp;E|-----7-------7------|<br/>
 &nbsp;B|-------5-------5----|<br/>
 &nbsp;A|---0-------0--------|<br/>
 

 <br/>
 <br/>
 Verse:<br/>

 ------<br/>
 

 <br/>
 Part&nbsp;A:<br/>

 Gb|--------------------------------------------------------------------|<br/>
 C#|-----------0---------------0---------------0---------------0--------|<br/>
 &nbsp;A|---------4---4-----------5---5-----------7---7-----------5---5------|<br/>
 &nbsp;E|-------0-------0-------0-------0-------0-------0-------0-------0----|<br/>
 &nbsp;B|-----5-----------5---7-----------7---9-----------9---7-----------7--|<br/>
 &nbsp;A|---0---------------0---------------0---------------0----------------|<br/>
 

 <br/>
 Part&nbsp;B:<br/>

 Gb|--------------------------------------------------------------------|<br/>
 C#|-----------0---------------0---------------------0---------------0--|<br/>
 &nbsp;A|---------4---4-----------5---5-----------7---------------7----------|<br/>
 &nbsp;E|-------0-------0-------0-------0-------0-------0-------0-------0----|<br/>
 &nbsp;B|-----5-----------5---7-----------7---9-------9-------9-------9------|<br/>
 &nbsp;A|---0---------------0---------------0-------0-------0-------0--------|<br/>
 

 <br/>
 Part&nbsp;C:<br/>

 Gb|--------------------------------------------------------------------|<br/>
 C#|--------------------------------------------------------------------|<br/>
 &nbsp;A|---------0-------0-------0-------0-------0-------0-------0-------0--|<br/>
 &nbsp;E|-------0-------0-------0-------0-------0-------0-------0-------0----|<br/>
 &nbsp;B|-----5-------5-------7-------7-------9-------9-------7-------7------|<br/>
 &nbsp;A|---0-------0-------0-------0-------0-------0-------0-------0--------|<br/>
 

 <br/>
 <br/>
 Chorus:<br/>

 -------<br/>
 

 <br/>
 Part&nbsp;A:<br/>

 Gb|--------------------------------------|<br/>
 C#|-----------3---------------3----------|<br/>
 &nbsp;A|---------3---3-----------3------------|<br/>
 &nbsp;E|-------5-------5-------5--------------|<br/>
 &nbsp;B|-----5-----------5---5----------------|<br/>
 &nbsp;A|---0---------------0------------------|<br/>
 

 <br/>
 Part&nbsp;B:&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;H12<br/>

 Gb|------------------------------------------|<br/>
 C#|--------------------x------------------0--|<br/>
 &nbsp;A|------------------------------------------|<br/>
 &nbsp;E|--------9-12------9---------9-12------9---|<br/>
 &nbsp;B|-----12--------12--------12--------12-----|<br/>
 &nbsp;A|---0---------0---------0---------0--------|<br/>
 

 <br/>
 Part&nbsp;C:<br/>

 Gb|----------------------------------------------------------2---------|<br/>
 C#|---------3-------5-------3--------5p3-1p0-3p0---------0-------------|<br/>
 &nbsp;A|-------0-------0-------0-------0--0-----------2p0-0-2---2-----------|<br/>
 &nbsp;E|-----0-------0-------0-------0----0---------------------------------|<br/>
 &nbsp;B|----------------------------------0---------------------------------|<br/>
 &nbsp;A|---0-------0-------0-------0----------------------------------------|<br/>
 

 <br/>
 <br/>
 Outro:<br/>

 ------<br/>
 Gb|-----------------------------------------------------|<br/>
 C#|-----------------------------------------------------|<br/>
 &nbsp;A|-------14----12----11----12----14----12----11----12--|<br/>
 &nbsp;E|------0-----0-----0-----0-----0-----0-----0-----0----|<br/>
 &nbsp;B|----15----14----12----14----15----14----12----14-----|<br/>
 &nbsp;A|---0-----0-----0-----0-----0-----0-----0-----0-------|<br/>
 

 <br/>

 Gb|-----------------------------------------------------|&nbsp;Note:&nbsp;As&nbsp;you<br/>
 C#|-----------------------------------------------------|&nbsp;&nbsp;move&nbsp;down&nbsp;the&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br/>
 &nbsp;A|-------14----12----11----9----7-------5----------4---|&nbsp;&nbsp;fingerboard&nbsp;<br/>
 &nbsp;E|------0-----0-----0-----0----0------0---------0------|&nbsp;&nbsp;here&nbsp;the&nbsp;tempo&nbsp;<br/>
 &nbsp;B|----15----14----12----10----9-----7--------5---------|&nbsp;&nbsp;should&nbsp;slow<br/>
 &nbsp;A|---0-----0-----0-----0-----0----0-------0------------|&nbsp;&nbsp;steadily&nbsp;as&nbsp;<br/>
 

 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;(kind&nbsp;of)&nbsp;shown.<br/>

 Gb|--------------------------------------|&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;If&nbsp;in&nbsp;doubt,<br/>
 C#|----------------0---------------------|&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;listen&nbsp;to&nbsp;the<br/>
 &nbsp;A|------------2-------2-----------------|&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;album.<br/>
 &nbsp;E|---------0--------------0-------------|<br/>
 &nbsp;B|------3----------------------3--------|<br/>
 &nbsp;A|---0-------------------------------0--|<br/>
 

 <br/>
 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;H12&nbsp;&nbsp;&nbsp;&nbsp;H7&nbsp;&nbsp;&nbsp;&nbsp;H5<br/>

 Gb|---0h2p0-----------------------------------------|<br/>
 C#|---------0------------------------x-----x-----x--|&nbsp;Note:&nbsp;<br/>
 &nbsp;A|-------------------0--------------x-----x-----x--|&nbsp;&nbsp;&nbsp;&nbsp;Hammer/Pulloff&nbsp;<br/>
 &nbsp;E|-------------0h2p0----------------x-----x-----x--|&nbsp;&nbsp;&nbsp;&nbsp;section&nbsp;needs&nbsp;to<br/>
 &nbsp;B|------------------------2h3p2p0---x-----x-----x--|&nbsp;&nbsp;&nbsp;&nbsp;be&nbsp;quite&nbsp;fast.<br/>
 &nbsp;A|----------------------------------x-----x-----x--|<br/>
 

 <br/>
 ***********************************************************************<br/>
 <br/>
 Arrangement:<br/>
 <br/>
 &nbsp;&nbsp;Intro&nbsp;A<br/>
 &nbsp;&nbsp;Intro&nbsp;B(x5)<br/>
 <br/>
 &nbsp;&nbsp;Verse&nbsp;A(x2)<br/>
 &nbsp;&nbsp;Verse&nbsp;A&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Hey&nbsp;lady,&nbsp;looks&nbsp;like&nbsp;I'm&nbsp;under&nbsp;your&nbsp;spell&nbsp;once&nbsp;again&nbsp;<br/>
 &nbsp;&nbsp;Verse&nbsp;A<br/>
 &nbsp;&nbsp;Verse&nbsp;A&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Hey&nbsp;lady,&nbsp;there&nbsp;just&nbsp;now&nbsp;ain't&nbsp;no&nbsp;denying&nbsp;these&nbsp;things<br/>
 &nbsp;&nbsp;Verse&nbsp;B<br/>
 &nbsp;&nbsp;Verse&nbsp;C&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;I&nbsp;will&nbsp;always&nbsp;be&nbsp;here<br/>
 &nbsp;&nbsp;Verse&nbsp;C&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Always&nbsp;be&nbsp;with&nbsp;you<br/>
 <br/>
 &nbsp;&nbsp;Verse&nbsp;A(x2)<br/>
 &nbsp;&nbsp;Verse&nbsp;A&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;I&nbsp;know&nbsp;she&nbsp;said,&nbsp;let&nbsp;the&nbsp;leaves&nbsp;fall&nbsp;wherever&nbsp;they&nbsp;may<br/>
 &nbsp;&nbsp;Verse&nbsp;A<br/>
 &nbsp;&nbsp;Verse&nbsp;A&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;But&nbsp;I&nbsp;find&nbsp;it&nbsp;hard,&nbsp;hard&nbsp;to&nbsp;find&nbsp;people&nbsp;like&nbsp;she&nbsp;is&nbsp;today<br/>
 &nbsp;&nbsp;Verse&nbsp;B&nbsp;<br/>
 &nbsp;&nbsp;Verse&nbsp;C&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;I&nbsp;will&nbsp;always&nbsp;be&nbsp;here<br/>
 &nbsp;&nbsp;Verse&nbsp;C&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Always&nbsp;be&nbsp;with&nbsp;you<br/>
 <br/>
 &nbsp;&nbsp;Intro&nbsp;A<br/>
 &nbsp;&nbsp;Intro&nbsp;B(x2)<br/>
 &nbsp;Chorus&nbsp;A&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;In&nbsp;this&nbsp;time&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br/>
 &nbsp;Chorus&nbsp;B&nbsp;&nbsp;<br/>
 &nbsp;Chorus&nbsp;A&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;In&nbsp;this&nbsp;time&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br/>
 &nbsp;Chorus&nbsp;B&nbsp;&nbsp;&nbsp;<br/>
 &nbsp;Chorus&nbsp;A&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;In&nbsp;this&nbsp;time<br/>
 &nbsp;Chorus&nbsp;C<br/>
 <br/>
 &nbsp;&nbsp;Verse&nbsp;A(x2)<br/>
 &nbsp;&nbsp;Verse&nbsp;A&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;When&nbsp;you&nbsp;lay&nbsp;to&nbsp;sleep,&nbsp;tell&nbsp;me&nbsp;the&nbsp;visions&nbsp;you&nbsp;see&nbsp;in&nbsp;the&nbsp;night<br/>
 &nbsp;&nbsp;Verse&nbsp;A&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br/>
 &nbsp;&nbsp;Verse&nbsp;A&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;When&nbsp;you&nbsp;turn&nbsp;around,&nbsp;what&nbsp;kind&nbsp;of&nbsp;shadow&nbsp;is&nbsp;cast&nbsp;by&nbsp;the&nbsp;light<br/>
 &nbsp;&nbsp;Verse&nbsp;B<br/>
 &nbsp;&nbsp;Verse&nbsp;C&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;She&nbsp;will&nbsp;always&nbsp;be&nbsp;here<br/>
 &nbsp;&nbsp;Verse&nbsp;C&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Always&nbsp;be&nbsp;here<br/>
 &nbsp;&nbsp;Verse&nbsp;C&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;I&nbsp;will&nbsp;always&nbsp;be&nbsp;here<br/>
 &nbsp;&nbsp;Verse&nbsp;C&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;I&nbsp;will&nbsp;always&nbsp;be&nbsp;with&nbsp;you<br/>
 <br/>
 &nbsp;&nbsp;Intro&nbsp;A<br/>
 &nbsp;&nbsp;Intro&nbsp;B(x2)<br/>
 &nbsp;Chorus&nbsp;A&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;In&nbsp;this&nbsp;time&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br/>
 &nbsp;Chorus&nbsp;B&nbsp;&nbsp;&nbsp;<br/>
 &nbsp;Chorus&nbsp;A&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;In&nbsp;this&nbsp;time&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br/>
 &nbsp;Chorus&nbsp;B&nbsp;&nbsp;&nbsp;<br/>
 &nbsp;Chorus&nbsp;A&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;In&nbsp;this&nbsp;time<br/>
 &nbsp;Chorus&nbsp;B&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br/>
 &nbsp;Chorus&nbsp;A&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;In&nbsp;this&nbsp;time<br/>
 &nbsp;Chorus&nbsp;C<br/>
 <br/>
 &nbsp;&nbsp;Outro&nbsp;<br/>
 <br/>
 ************************************************************<br/>
 Chris&nbsp;Anderson(anima@nmt.edu)<br/>
 --<br/>
 "I&nbsp;gotta&nbsp;tell&nbsp;you&nbsp;there's&nbsp;deception&nbsp;in&nbsp;the&nbsp;suplex,<br/>
 &nbsp;although&nbsp;I&nbsp;don't&nbsp;have&nbsp;much&nbsp;to&nbsp;show.<br/>
 &nbsp;And&nbsp;if&nbsp;you&nbsp;don't&nbsp;believe&nbsp;your&nbsp;standing&nbsp;on&nbsp;a&nbsp;landmine,<br/>
 &nbsp;you'll&nbsp;just&nbsp;have&nbsp;to&nbsp;wait&nbsp;till&nbsp;it&nbsp;blows."<br/>
 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;-&nbsp;Grant&nbsp;Lee&nbsp;Phillips<br/>
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Source: http://chordiearchive.chordie.com/chord.pere/tabfu.thudspace.net/t/tea_party/in_this_time.tab

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