The other tab is pretty close, but it's not good enough for me.If you're interested there are some tips and suggestions belowfor how to play these chords so that they sound good if you'renot used to them.all the chords used are in some form of a D chord, to shorten andmake it less confusing I'll just use basic chord names for them.remember these are how i personally play these chords and theprogression i use for the song. it's not by any means set in stoneso if you feel like it works better to change it up a little gofor it, do whatever sounds best to you. im sure this isnt exactlyhow parachute plays it either, but it sounds pretty damn good.feel free to comment if there are any major corrections that iglossed over.chords used:D------xx0232Dsus2--xx0230Dsus4--xx0233Dadd9--x00230 (a variation of a Dsus2, ill use Dadd9 to clarifywhen to use this one as opposed to the other Dsus2)A------x02230-------------------| B------x2x230 or x20230---------| F#-----2x0230 or 200230---------| G------3x0230 or 3x0233 or 3x02-|3xCapo 3, standard.Intro:D----Dsus2--Dsus4--Dadd9--G x2Verse 1:B A GLike a gunshot from miles awayF# GShe's moving inB A GLike a rainstorm with out the cloudsF# GShe falls on youA F#Like a phone call to worn the truthGIt never ringsChorus:A F# GIt's the truth before the liesA F# GIt's the way she doesn't tryA F# GIt's the wink before the sly(repeat intro x2)In PhiladelphiaIn PhiladelphiaVerse 2:B A GThey met after work one dayF# GShe laughed with himB A GThey drove off their separate waysF# GThen met for drinksA F# GWhen he got home the silent guilt was deafeningChorus:It's the truth before the liesIt's the way she doesn't tryIt's the wink before the slyIn Philadelphia (repeat intro x2)In PhiladelphiaBridge:BShe thought that love was gonna fightGShe thought that love was gonna take her homeAShe thought that love was gonna save herBBut love just never showedGShe felt that love was always watchingAOh we learned that love was supposed to waitF#But sometimes it's the feelingsGThat are standing in the air(repeat intro x1)Verse 3:B A G F# GHe slips off his worn out suit and tries to restB A G F# GShe's a million miles away across the bedA F# GShe rolls over puts her hand across his chestChorus:It's the truth before the liesIt's the way she doesn't tryIt's the wink before the slyIn Philadelphia (intro to fade)In PhiladelphiaIn Philadelphiaoooooooohooooooooooooohooooochords used:D------xx0232Dsus2--xx0230Dsus4--xx0233Dadd9--x00230 (a variation of a Dsus2, ill use Dadd9 to clarifywhen to use this one as opposed to the other Dsus2)A------x02230-------------------| B------x2x230 or x20230---------| F#-----2x0230 or 200230---------| G------3x0230 or 3x0233 or 3x02-|3xthese chords can be kind of tricky if you're not used to them.to start, any one of these chords can be played in a number ofdifferent ways. the high e can be muted or open on almost all ofthem. an easy way to go about chord changes is to keep the firstfinger on the A note (fret 2) on the G string and your thirdfinger on the D note (fret 3) on the b string and use your secondfinger to play the A, B, F#, and G variations of the chords. it'salso the position a full D chord is played in with your secondfinger on the high e 2nd fret, so all these transition only includethe second finger or the pinky (for Dsus4 only). that being said,it's not a difficult song chord wise, especially since the capo 3makes the frets you play smaller than without the capo. now forthe variations and muting the strings. depending on how close tothe song you want to sound, which strings are played or mutedcan be extremely important or not important at all. to get a realgood and close sound to the song, in the intro you want to mutethe low E and A strings on all the D chords except for the lastone that is played. on that last measure where i have Dadd9, theA string is played as the root note. it may seem like a smallchange, but it can make a big difference in sound, especiallywhen the three or four previous chords had the A string muted.if you listen closely to the song you can hear what im talkingabout. other than that one spot, you can pick which ever way youthink the chords sound best in different spots. sometimes it cansound really good to mute a string in a chord in the chorus, andthen let that string play open with that chord during the verse.if you play around with things like that you can really make asong sound a lot more pleasant, especially if it's just youplaying on one guitar. as for the strumming, it's not necessarilya traditional strumming pattern but it definitely has a set patternto it. the best way to get a feel for any strumming pattern is tolisten to the song a lot (i mean like in your sleep 24/7 a lot)and to practice a lot. a good thing to try is to use headphones inone ear fairly loud and to strum along quietly with it, just loudenough so you can hear your guitar along with the song. thatshould help a lot and it's a great way to improve your skills,not just your strumming. thank you if you took the time toread this, i hope it helped and i hope you find the tab helpful.
Source: http://www.guitaretab.com/p/parachute/345440.html