Received: from salmon.maths.tcd.ie (salmon.maths.tcd.ie (134.226.81.11)) by post-office.nevada.edu (8.6.4/8.6.4) with SMTP id GAA05047 for ; Fri, 25 Mar 1994 06:10:13 -0800From: Edmund BreslinDate: Fri, 25 Mar 1994 14:10:06 +0000X-Mailer: Mail User's Shell (7.2.5 10/14/92)To: JamesB@nevada.eduMessage-ID:Run To The Hillsby Iron Maiden(Steve Harris)Transcribed by Eddie Breslin(caladan@maths.tcd.ie)(Solo Copied)INTRO:Gtr I (Adrian)|----------------------------------------------------------| |----------------------------------------------------------| |-x-9--9---7----x-7--7---9-----x-5--5---7----x-0--0---2----| |-x-9--9---7----x-7--7---9-----x-5--5---7----x-0--0---2----| |----------------------------------------------------------| |----------------------------------------------------------|Gtr II (Dave)All these notes are played using the third finger so there arealso grace notes due to changing position but I've just shownthe basic fingerings. Most of the bends should be "overbent" andshaken heavily.Neck Pickup|-------------------------------------------------------------------| |-15-15b17-15b17-15~---13-13b15-13b15-15b17~---11-11b13-11b13-13b15~| |-------------------------------------------------------------------| |-------------------------------------------------------------------| |-------------------------------------------------------------------| |-------------------------------------------------------------------|To BridgeLAST TIME pickup|-------------------------|--------------|------------------------| |-------------------------|----------3---|-----------------13b15~-| |--10-10b12-10b12-12b14~--|-x-0--0---2---|--10-10b12-10b12--------| |-------------------------|-x-0--0---0---|------------------------| |-------------------------|--------------|------------------------| |-------------------------|--------------|------------------------|RHYTHM FOR VERSES:D C C B+5 C B+5 D C C B+5 C B+5|-------------------------------|---------------------------------| |-------------------------------|---------------------------------| |-------------------------------|---------------------------------| |---7--------5------5--5--5--5--|---7--------5------5--5--5--5----| |---5--------3------3--2--3--2--|---5--------3------3--2--3--2----| |-------------------------------|---------------------------------|A C F D|---------------------------2---| |---------------------------3---| |---2--------5--------2-----2---| |---2--------5--------3-----0---| |---0--------3--------3-----0---| |---------------------1---------|CHORUS:G F C G E F F#|---3----------1--------------------------3--------------| |---3----------1--------------------------3--------------| |---4----------2---------5----------------4----1--2--3---| |---5----------3---------5----------------5----2--3--4---| |---5----------3---------3----------------5----2--3--4---| |---3----------1--------------------------3----0--1--2---|Run to the Hills Run for your livesRHYTHM FOR SOLO:E(m) F#m G C|-------------(2)-(3)--------------------------------------| |-------------(2)--3---------------------------------------| |-------------(2)--4---------------------------------------| |---2---------(4)--5----------5----------------------------| |---2---------(4)--5----------3----------2-3-2-3-2-3-2-3---| |---0------------------------------------------------------|BRIDGE:I'm just showing the basic fingerings. Listen for thestrumming and muting.A B C D|-------------------------------------------------| |-------------------------------------------------| |--2--2--2~----4--4--4~----5--5--5~----7--7--7~---| |--2--2--2~----4--4--4~----5--5--5~----7--7--7~---| |-------------------------------------------------| |-------------------------------------------------|ENDING:C let ring B G strum fast|--------------------------------3--------------| |--------------------------------3--------------| |---5------------------4---------4--------------| |---5------------------4---------5--------------| |---3------------------2---------5--------------| |--------------------------------3--------------|Run for your livesPlayed with Phaser: rate ~ one quarter note.E5 F#5 G5|---------------------------------------12------12-----12--12-----| |--15b(17)--r15---15b(17)-r15-b(17)~------------------------------| |-------------------------------------------12------14------------| |-----------------------------------------------------------------| |-----------------------------------------------------------------| |-----------------------------------------------------------------|C5|----------12---------------------------------------------| |--15b(17)----12--15p12h15p12------12---------------------| |------------------------------14------14b(16)--14b(16)~--| |---------------------------------------------------------| |---------------------------------------------------------| |---------------------------------------------------------| |--------------------------------------------------------| |--------------------------------------------------------| |--14b(16)--14--12--14--12--12-----------------------12--| |------------------------------14~~~-----------12h14-----| |--------------------------------------------------------| |--------------------------------------------------------|E5|--------------------------------------------------------| |----------------------------------15--15-----12h14--12--| |-----------------------12--14--12---------14------------| |--14--12---------12h14----------------------------------| |----------14p12-----------------------------------------| |--------------------------------------------------------|F#5 G5|--------------------------------------------10h12p10----| |--12h15p12h15p12------12h15--15-s\-2-s/-12--------------| |------------------14------------------------------------| |--------------------------------------------------------| |--------------------------------------------------------| |--------------------------------------------------------|C5|--10h12p10h12-----12p10h12p10--10h12p10-----10h12--12b(15)~~--| |---------------12------------------------12-------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------|E5|--12b(15)-s\-1-s/-7---------12h15p12h15p12h15p12--12h15p12--| |------------------------------------------------------------| |------------------------------------------------------------| |------------------------------------------------------------| |------------------------------------------------------------| |------------------------------------------------------------|F#5 G5|-----------------------------------------------------------| |--15p12h15p12h15p12h15-------------------------------------| |------------------------12h14p12h14p12h14p12h14p12---------| |----------------------------------------------------12h14--| |-----------------------------------------------------------| |-----------------------------------------------------------|C5|----------------------------------------------| |--------------15--------------------------15--| |--12h14p12----14b(16)--HOLD-BEND---r(14)--14--| |----------------------------------------------| |----------------------------------------------| |----------------------------------------------| |-----------------------------------------------------------------| |-----------------------------------------------------------------| |--12-Tbar\-(9)-/-(12)-\-(9)-/-(12)-\-(9)-/-(12)-\-(5)-/-(12)-\---| |-----------------------------------------------------------------| |-----------------------------------------------------------------| |-----------------------------------------------------------------|E5|---------------------------15--17-Tbar-\-(16)-/-(17)-\-(16)-/----| |-----------------------------------------------------------------| |--(9)-/-(12)-\-(7)-/-(12)----------------------------------------| |-----------------------------------------------------------------| |-----------------------------------------------------------------| |-----------------------------------------------------------------| |--(17)-\-(16)-/-(17)---------------------------------| |-----------------------15-shake with Tbar as before--| |-----------------------------------------------------| |-----------------------------------------------------| |-----------------------------------------------------| |-----------------------------------------------------|G5|-----------------------------------------------| |--17-Tbar shake---------------------------PH---| |------------------------14-Tbar shake-----16~--| |-----------------------------------------------| |-----------------------------------------------| |-----------------------------------------------|C5|----0----12--15b(18)--r(16)-r15--15--Tbar-\---(12)--\--(10)-s\---| |--0----12--------------------------------------------------------| |-----------------------------------------------------------------| |-----------------------------------------------------------------| |-----------------------------------------------------------------| |-----------------------------------------------------------------|
Source: http://www.guitartabs.cc/tabs/i/iron_maiden/run_to_the_hills_tab.html