by Air SupplyAlbum: Lost In Love (1980)E -----------------------------------------------release bend---| B ----------7-7--------7-7-------7---6-7--9(^11)-9-7------------| G ----6-h8-------6-h8------6-h8----8-----------------8----------| D --------------------------------------------------------------| A --------------------------------------------------------------| E --------------------------------------------------------------| E ---------------------------------------------------------------|rel.bend B ----------7-7--------7-7-------7-----7-7--9-10--(^12)-10-------| G ----6-h8-------6-h8------6-h8----7-9---------------------------| D ---------------------------------------------------------------| A ---------------------------------------------------------------| E ---------------------------------------------------------------|Verse 1A DOvernight scenes, dinner and wine, Saturday girlsA DI was never in love never had the time in my hustle and hurry worldBm E C#m F#mLaughing myself to sleep, waking up lonelyD A EI needed someone to hold me oh whoa ohhA DIt's such a crazy old town, it can drag you down til you run out of dreamsA DSo you party all night to the music and lights but you don't know whathappinessmeansBm E C#m F#mI was dancing in the dark with strangers, no love around meD A EWhen suddenly you found me, oh whoa ohhCHORUS (A/Ab means A chord over a Ab bass note):A A E E A A/Ab DGirl you're every woman in the world to meBm D EYou're my fantasy You're my realityE A A/Ab DGirl you're every woman in the world to meBm C#sus4 C#You're everything I need; you're everything to meF#Oh girlE -----------------------------------------------release bend---| B ----------7-7--------7-7-------7---6-7--9(^11)-9-7------------| G ----6-h8-------6-h8------6-h8----8-----------------8----------| D --------------------------------------------------------------| A --------------------------------------------------------------| E --------------------------------------------------------------|Whole song up a half-step!|vE ---------------------------------------------------------------|rel.bend B ----------7-7--------7-7-------7------8-8--10--11 (^13)-11-----| G ----6-h8-------6-h8------6-h8----8-h10-------------------------| D ---------------------------------------------------------------| A ---------------------------------------------------------------| E ---------------------------------------------------------------|Verse 2A# D#Everything good, everything fine, that's what you areA# D#So put your hand in mind and together we'll climb as high as the highest starCm F Dm GmI'm living a lifetime in every minute that we're togetherD# A# F(2)And I'm stayin' right here forever oh whoa ohhCHORUS 2A# A# F2 F2 A# A#/A D#Girl you're every woman in the world to meCm D# FYou're my fantasy You're my realityF A# A#/A D#Girl you're every woman in the world to meCm Dsus4 DYou're everything I need; you're everything to meGOh girlUp another half step!|vE --------------------------------------------------------------| B --------8-8-------8-8------8----7-8-8--------- 9-9--11-12--14-| G ----7-h9-----7-h9-----7-h9----9----------9-h11----------------| D --------------------------------------------------------------| A --------------------------------------------------------------| E --------------------------------------------------------------|CHORUS 3B B B/Bb EGirl you're every woman in the world to meC#m E F#You're my fantasy You're my realityF# B B/Bb EGirl you're every woman in the world to meC#m E F#You're everything I need; you're everything to meREPEAT CHORUS 3 AND FADE (THANKFULLY)-------------------------------------Barre Chord Cheat Sheet (in order of appearance)A 577655D x57775Bm x24432E 022100C#m x46654F#m 244222C#sus4 x46674C# x46664A# 688766 (aka Bb)D# x68886Cm x35543F 133211F(2) x 8 10 10 10 8Dm x57765Gm 355333Dsus4 x57785D x57775 (same as above)G 355433B 799877E x79997F# x 9 11 11 11 9** You must learn this using barre chords because of the song's constant upward-spiraling key changes; a barre chord guide is provided **h = hammer-onp = pull-off(^#) = bend up to this number fret's pitch on the number listedThat Opening Lick--This might be a little uncomfortable when it sounds mostinteresting, but it makes sense and feels more natural after a few plays.
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